Free Download Song Maps: A New System to Write Your Best Lyrics, by Simon Hawkins

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About the Author

Simon Hawkins is an award-winning songwriter/producer and Amazon Best Selling author, based on the south coast of England. Andrea Stolpe, instructor at Berklee Music School, multi-platinum recorded songwriter, artist and author commented on Simon’s book Song Maps: “Simon offers songwriters creative parameters where so many claim no parameters can be set. With such tangible tools, songwriters can experience great freedom and expect consistent results.” Sue C Smith, five-time Dove-award winning songwriter, staff writer with Capitol CMG and founder of the Write About Jesus seminar for Christian songwriters, says: "Simon Hawkins is a gifted problem-solver, and so much of songwriting calls for just that. In Song Maps – A New System To Write Your Best Lyrics, Simon has shared the methods he has developed to catapult his own songwriting career and offered them to songwriters everywhere. It’s going to revolutionize and illuminate the process for so many. What a wonderful, generous gift to the songwriting community!" Simon's passion for music goes back to when he started playing the organ at his church at the age of 12. For many years, he combined writing with an international career in oil and gas and investment banking, which took him and his family around the world. In 2004, Simon became a full-time songwriter and was quickly signed by Universal Music Publishing in Nashville (Brentwood-Benson Music Publishing/Universal CMG), where he has some 200 songs in his catalog. In 2010, he founded his publishing company, Great British Music, which now represents his work and helps others in the UK looking to access opportunities in the US. Simon's songs have been recorded by Vince Gill and Sheri Easter (“Livin' in the Rain”), American Idol finalist Mandisa (“Truth About Me”), Abandon (“Known”), Avalon (“Destined”), Gold City (“Never Too Broken”) and many others in a range of genres. “Livin' in the Rain” reached #2 on the SoGo charts and was long-listed for a Grammy. In 2012, Mandisa's album “What If We Were Real,” which included “Truth About Me,” was nominated for a Grammy. “Never Too Broken” reached #1 on the SoGo charts in autumn 2014. Simon also received a Dove nomination for the musical LifeSong: The Musical, written with Sue C Smith. In 2015, Simon's modern hymn “He Is God” won the Integrity Music “Search for a Hymn 2015" competition, which he recorded with Integrity/Thankyou Music.

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Product details

Paperback: 196 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (June 26, 2016)

Language: English

ISBN-10: 1533592616

ISBN-13: 978-1533592613

Product Dimensions:

6 x 0.4 x 9 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

119 customer reviews

Amazon Best Sellers Rank:

#100,288 in Books (See Top 100 in Books)

Song maps has given me a completely new perspective on the art of songwriting. Like many other aspects of the music industry, they are probably hundreds the books written about songwriting, but none using the technique of song maps. This is a tried and tested technique developed by the author himself who has had a very successful career in the songwriting capital of the world, Nashville.The author recounts how he would typically be hired to write in collaboration with at least one or two other writers in a 3 hour songwriting session and a lot of the examples and revelations that he gives have come from those experiences.In this book, Hawkins describes seven song maps (or blueprints if you like) that can be used when developing and writing a song, particularly if you regularly collaborate with others.The great thing about this book is that the author takes each song map and provides a huge array of song examples from multiple genres, each of which he dissects to explain the relevant song maps in greater detail.At the end of every song map, the author provides exercises that the reader can undertake to solidify their understanding of the song map in question.The author concludes by encouraging the reader to embark on further study of song maps and reveals even more songs maps that were not covered in detail in the book.Even though the author writes from the perspective of collaborating with others, the idea is to help the reader formulate strong song ideas that can be developed into songs of substance. Songs that will move people and be remembered for all the right reasons.Song mapping is a technique that can be used in collaborative songwriting as well as solo songwriting.As someone who enjoys writing songs, I am looking forward to exploring song mapping in greater detail and experimenting with it in my own writing.If you are a songwriter already, or if you are you looking to start songwriting, this book is a resource that you will come back to again and again as you seek to develop your craft.An easy, insightful and informative read.

This book was perfect for me as an aspiring musician. I've had dozens of random song ideas and song titles over the years but no thoughtful nor efficient approach to go about formalizing these ideas into a song. I've just been stream-of-consciousness dumping lyrical lines or thoughts in OneNote, or as voice recordings. If you are seeking a more concise approach to writing and structuring lyrics, I highly, highly recommend this book.Simon has created a fantastic framework that helps you take an idea you have for a song title and evolve it into a structured song with lyrics. Lyric writing can otherwise be a "Wild West" creative process with no boundaries or laws. The system isn't meant to be constricting, it's just a fantastic starting point, as he does encourage you to create variations or experiments outside of the prescribed system once you feel ready.I especially love that (A) the book is not super long and overly verbose; it's powerful and pithy and (B) he uses specific examples from several different genres and time periods. including hits from the days of Ella Fitzgerald to more recent hits—at the time of writing this review—like Taylor Swift's "Shake It Off", Kelsea Ballerini's "Peter Pan", or Lukas Graham's "7 Years". He analyzes the structure of these songs without getting too "in the weeds." Short and sweet.He notes that not all genres have a strong emphasis on being lyric-driven. As aspiring musicians, we have an opportunity to carve out how music will sound in the future, and if a genre today can become more lyric-driven. Personally, I love the sounds of EDM but—with few exceptions —the genre is mostly devoid of original, thought-provoking, moving lyrics. This book will help me explore this route.Thank you Simon for creating this book. I am grateful for it.

I can appreciate what Hawkins says about how he writes songs. I did come away with one positive idea for writing the plot for the song, but his methodology is a bit over the top for me. I've been writing songs since 1964. I don't think any songs are created the same way. Some come with melody first, some chords, some words, some beats. If this is the current methodology for songwriting, then that explains a lot of things about the lack of inventiveness in today's marketplace.

The Benefits I Acquired From This Book:* I can focus on a single theme/concept/story and expand on it through the second verse, bridge, pre-chorus, and refrain.* I am able to write the second verse or bridge with ease.* I am able to write lyrics very quickly.* I am able to experiment with my lyrics using seven different song maps that are taught in the book..* I am able to enjoy the song examples in the book especially the musicals and jazz genres, including, I See the Light from Disney's Tangled, Thank You For the Music by ABBA, Nothing's Gonna Change My Love For You by George Benson and New York, New York, which are my favorite songs. There are also a bunch of Cole Porter, Richard Rodgers, and Oscar Hammerstein examples.My Cons On This Book* The author Simon Hawkins claims that he has won various prestigious awards and is Grammy nominated, but I read the lyrics of his original songs, found in the book and I thought they were lame-ass and sucky.* At first I thought this is another useless songwriting book to max out my money when the author Simon Hawkins was like drifting to unrelated topics and outlandish stories, on the first half of the book.* I feel that the Pop Trashes and CCM song examples are a dreadful additions to the book. I am a Bible Readin', Bible Memorizin', Prayin' Christian BTW, but I don't like the current "Worship" "music" that is coming out right now. But that's a story for another day.

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