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A Drifting Life, by Yoshihiro Tatsumi
PDF Download A Drifting Life, by Yoshihiro Tatsumi
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From Publishers Weekly
Tatsumi revolutionized manga in the 1950s, inventing gekiga—seething, slice-of-life stories about emotional crises. In this elephantine memoir (in which he barely disguises himself as Å“Hiroshi KatsumiÂ), he tells the story of his early years in the comics business, from his teenage obsession with entering postwar magazines' reader-cartoon contests and poring over Osamu Tezuka's comics to the brief late-'50s heyday of the gekiga workshop over which he presided. It's also a history of Japan in that era, filtered through Tatsumi's own experience—the sound of cicadas is a recurring symbol of portentousness—and packed with digressions on cartooning technique, the movies and prose fiction that inspired him, and his nervous flirtations with women; the passage of time is marked by illustrated factoids about each year's headlines. Tatsumi's visual technique is very much a product of an earlier generation—his characters' faces are simple, broad caricatures—but the mastery he's gained in half a century of cartooning comes through in his immaculate staging and composition. Readers curious about Japanese comics history may find the book's wealth of detail fascinating; for the most part, though, Tatsumi's vivid, graceful dramatizations of the period's shifting business and creative alliances don't quite justify the tedious, repetitive hybrid of bildungsroman and industry time line he's created. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From School Library Journal
Grade 10 Up–This is a masterfully drafted autobiographical work by the creator of Good-bye (2008) and Abandon the Old in Tokyo (2006, both Drawn & Quarterly). Referring to himself as Hiroshi, Tatsumi begins his story with the surrender of Japan after World War II, when he was 10 years of age, and details the following 15 years of his life. Deeply passionate about manga at a young age, he chronicles the time from his start as an enthusiast to his rise as an influential and celebrated author/illustrator of the format. Although this book centers primarily on Tatsumi's writing career, the history of manga, influential writers and publications of the time, and the turbulent manga publishing industry, much more is revealed. Family life and dynamics influenced by his parents' troubled marriage, his father's financial difficulties, and his friendship and rivalry with his brother are explored, first sexual interests and experiences are considered, and relationships among fellow artists are skillfully portrayed. Historical political and cultural events are introduced throughout the story, giving readers a feel for Japan's climate and social landscape during the period. Black-ink images in a combination of detailed/realistic panels mixed with cartoon-style artwork enhance the atmosphere and bring the characters to life. This is a captivating autobiography, and one that should have high appeal to those interested in the history of manga and Japanese culture, and followers of Tatsumi's works.–Lara McAllister, Halifax Public Libraries, Nova Scotia END
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Product details
Paperback: 855 pages
Publisher: Drawn & Quarterly (April 14, 2009)
Language: English
ISBN-10: 1897299745
ISBN-13: 978-1897299746
Product Dimensions:
6.6 x 2.3 x 8.7 inches
Shipping Weight: 3 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#514,341 in Books (See Top 100 in Books)
For those who follow the work of Yoshihiro Tatsumi, this book is a treat. It's a wonderful manga memoir that took almost 10 years to create. The main protagonist is no other than Yoshihiro himself, using another name of Hiroshi Katsumi.In this book, he explores the journey he took to become a manga artist. It's an inspiring tale that looks into his relationship with his family, friend, fellow manga artists and publishers. The book title is apt as we see how Katsumi "drifts" along in his life, making the numerous career moves. Most of the time, you'll feel the doubt and uncertainty as he felt within the panels.The book, at over 800 pages, is smartly inserted with historical events to portray the passing of time. It starts in 1948 and ends, a bit abruptly, in 1960 where Katsumi took part in the demonstration against the Security Treaty. Throughout the book, we also learn how manga has evolved and affected the artists.I'll recommended this book to anyone who wishes to know Yoshihiro Tatsumi a little better, or a little bit of Japanese manga history.(More pictures are available on my blog. Just visit my Amazon profile for the link.)
There have been many attempts at autobiographical graphic novels, Binky Brown and I Saw It among the earliest and Maus the best-known. I think it's fair to say that only fans of the genre and people interested in the specific issues explored were enthusiastic about these books.Yoshihiro Tatsumi has created something totally different, a memoir that speaks to everyone, in totally original form. He tells an absorbing story using a few simple words and a few simple lines. He uses panels to pace the story, to focus details, to show facial expression, to convey emotion; in ways distinct from written autobiographies, but also distinct from film-makers, painters, photographers and anyone else who ever tried to use art to convey the feeling and meaning of a life.I feel the reviewers complaining about the lack of depth are missing the point. The author's technique cannot go below the surface, he's drawing pictures. He can use those pictures to suggest depths, but not to explore them. A writer can spend thousands of words (or more) describing internal psychological states or conveying depth in other ways. Other graphic novelists, and also film-makers and painters, attempt to do the same by leaving realism behind or by including a lot of detail. Tatsumi confines himself to simple realism, but realism as perceived at the time, and stripped down to essential lines. He tells us what he saw and leaves it to us to imagine what went on below (and above, and before, and after).To take one example, a historian might want to know the name and background of the waitress in the restaurant beneath his apartment who tries to seduce him with comic results. An artist might paint a haunting evocation of youth and inexperience and lust. Tatsumi draws her as he saw her, essentials only, few facts and no reliable ones. Was she young and pretty, confident and cheerful, hardworking and promiscuous? We know he thought so at the time, nothing more, but also nothing less. He conveys the episode not in one detailed picture, but in a dozen quick sketches, with word balloons and backdrops. In this way we learn about his life in a different manner than any previous autobiographical work of art, we learn different aspects than we have ever encountered.This is not only a book for Manga fans. It's a story anyone can understand. The pain of having your ideas ignored or misunderstood. The pleasure of winning some degree of acceptance, and the frustration when others twist it for their own ends (but at the same time, the temptation of letting them do it, to gain recognition and money at the expense of artistic purity). The complex personal relationships, often searing, sometimes wondrous. The ups and downs of collaboration. The enigma of other people, those we love, those we respect and those we fear. All this with a backdrop of Japanese history and culture, a boy growing up, and an art form evolving.This is an extraordinary masterwork. It takes only a couple of hours to read and you will be drawn into it in a different manner from anything else you've ever experienced.
The concept of "A Drifting Life" couldn't be simpler: The life story of one of the early masters of manga, told (of course) as a manga. But it ends up being far more than that. Among other things, it's a panoramic action shot of postwar Japan, and a meditation (I know how pretentious this sounds, but it can't be helped) on the power of art to transform one's life. And it's gorgeously drawn, but more than that, it's drawn in ways that keep the narrative moving for hundreds of pages. It's long, and it can be a bit difficult (especially for those of us who aren't Japanese), but it's hugely rewarding. Highly recommended.
I have loved everything about this book. Deeply personal semi-autobiagraphical memoir chronicling a man's passion for manga and creating them while also revealing their history. All against the backdrop of post WW2 Japan and an often hard And dysfunctional life. Brutally honest, hopeful and heartbreaking. As real as it gets and GREAT art,and storytelling. Artists of all sorts should appreciate it, seeing him go through the same kinds of struggles and feelings and commitment is inspiring and comforting. I don't know what people are rating it low against? What standard? This book is a classic work that can sit next to any other intellectual comic. Meaty and ripped out of his heart, served on a silver georgeously illustrated platter.
Although it has just come out and I've only read it once, I have no hesitation in saying that "A Drifting Life" is a manga classic. If you have read and enjoyed "Barefoot Gen," the more mature Tezuka works, or even newer manga like "Monster" or "Pluto" by Urasawa you need to check this out.The art is simple and easy to read. The story is engaging and interesting all the way through. It really left me wanting more - I read all 800+ pages in one weekend. You get to see how classic manga was made and get insight into the industry.This is not manga for kids. This is an intriguing story for adults. I would also recommend it to those who are new to manga/graphic novels because it is an extremely easy and intuitive read. Don't be intimidated by the page count. I read manga 5-10 times quicker than prose/regular books, and at least twice as quick as regular american comics.I hope he writes a sequel because I am interested to know what his life in manga was like after this book ends.
Chunks of pages would come out from the seams as I read. Not the best quality, but the grgaphic novel was interesting. A very cool memoir. There is nudity in illustrations.
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