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Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud
Get Free Ebook Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud
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Review
“Thoughtful and moving . . . Man With a Blue Scarf [is] one of the most instructive books I’ve ever read about art.†- The New York Times Book Review“Amazing. . . . It’s so fascinating to be inside Freud’s mind.†- The Boston Globe
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About the Author
Martin Gayford is art critic for The Spectator. His books include Man with a Blue Scarf, A Bigger Message, and Rendez-vouz with Art (with Philippe de Montebello), and Modernists and Mavericks.
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Product details
Paperback: 248 pages
Publisher: Thames & Hudson; 1 edition (September 9, 2013)
Language: English
ISBN-10: 9780500289716
ISBN-13: 978-0500289716
ASIN: 0500289719
Product Dimensions:
6 x 1 x 9.1 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
55 customer reviews
Amazon Best Sellers Rank:
#185,862 in Books (See Top 100 in Books)
This is a wonderful read no matter who you are, as the other reviews attest. I found it to be especially interesting as I paint portraits and have long greatly admired Freud. It is a rare treat to hear how he thinks about the process of painting, the energy it requires, the recognition of how both the subject and the painter continually change during the long process (either a difficulty or an opportunity), the process of deciding how to finish a painting and when to declare it complete, the need to keep working continually, the cycle one often goes through, sometimes liking, then finding problems with, and then sometimes ultimately correcting and improving, the need to edit what gets out, the absence of any interest in a painting after it is done, other than what it might have taught you that you can use going forward, the parallels between love of food and love of paint, and even his annoyance with people who say things like "how wonderful it must be to be creative, how fortunate for you to have been given talent" (how I hate that!) I have hundreds of books about painters and painting and this (along with David Sylvester's interviews with Francis Bacon) has risen to the top of my list of most cherished. Painters don't often talk that much, to other painters or to anyone, about their painting. Freud has given very very few interviews. To have had this opportunity to hear what Lucian Freud thinks about so many aspects of his work is just immeasurably valuable.
Highly recommend! I really enjoyed this book! It's such an interesting and different point of view. If you love reading about art, if you are interested in Lucien Freud, and if you are interested in the process of making art and what it takes to be a great artist, you should read this book. The quality of the book is also superb! The art work is printed in good color and detail, and everything the author is referring to, every art work, even if it's not by Lucien Freud, is included in the book, the page numbers are given, and the art work is located usually right next to the text or on the next page. Go and get this book, you will enjoy it!
British art critic Martin Gayford has written of his posing for the late painter, Lucian Freud, in his book, "Man with a Blue Scarf". Both Gayford's writing and the Freud paintings (as well as others referred to in the text) are brilliant. I found this to be a wonderful introduction both to Freud's work and the actual work on the part of both artist and subject.Lucian Freud died in London in July, 2011, at the age of 88. I knew very little about his work and the little I knew of him was basically that he was a grandson of Sigmund Freud and that he had been married to the writer Caroline Blackwood. While looking into books about Freud, I saw this relatively recently published book by Martin Gayford, telling of his serving as a subject for a Freud portrait. In all, Gayford sat for Freud in his London studio about 16 months as Freud painted his portrait. At the same time Freud was painting Gayford, he had several other on-going portraits he was working on.Well, if Freud could paint, Gayford can write. He compares his own sitting as a subject to the other subjects Freud had worked on over the years. Gayford puts styles to pictures and gives a marvelous overview to Freud's long career. In their sittings, Freud and Gayford spent long hours talking about Freud, his career, his life and loves, and his interests in life. While I assume the conversations were two-sided, Gayford recounts the gist of the conversations from Freud's view. And while comparing Freud's work to others, both past and present, who have influenced Freud, the book usually includes pictures of the paintings being written about.Martin Gayford has written not so much an art book, but more a "memoir" of Lucian Freud and these 16 months spent by artist and subject. It's a marvelous book. (As is the finished portrait, which did not go to Gayford, but rather into a collection of a California couple. Evidently, the subject only poses; the finished painting goes elsewhere.)
This is a fabulous book whether you like Freud's work or not. ( I don't). But I could not stop reading it. The book is so beautifully written, the language such a pleasure, and it is fascinating to learn about Freud's painting style, and about all the thoughts swirling through the model's mind before, during, and after. I imagine that Anybody with the slightest interest in art, art history or culture in general, would enjoy this book.
Incredible description of each "sitting" session for a portrait. Each session took many hours. Painter and model got to talk far more between them than they did with family or close friends. It became a symbiosis of the minds and presences.
A wonderful story about a great artist written by an excellent writer. I can say that anyone who enjoys the art of Freud to purchase this volume and settle down in a comfortable chair, as this is an excellent warm insightful story of a very interesting artist.Definitely one of the more enjoyable books that I have read in a while. A must if you follow Lucian Freud and want to learn a little bit more of the man and the artist. Most enjoyable.
I hated to see this book end. It felt like I was part of a thoughtful conversation, and I returned to the pages as eagerly as Gayford returned for his appointments with the artist. The sense of Freud's 81 years filled with painting three subjects in a day filled me with hope that I too might retain energy late in life. The observations about work habits, birthday parties, dinners, and the pace of modern life offered insight into one of today's great painters who strives to please no one but himself. The writing was beautifully done, graceful, incisive, and every page pleased. I recommend it most highly!
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